Lifestream
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Thomas Crow escreve: "[...] a rapid-fire but softly spoken seminar by Obrist [...] on the forgotten history of curating as both intellectual discipline and experimental art form, indeed as the primary object of a modern art history yet to be written" "[...] He was more than clear, however, in insisting that the history of modern art, as construed by the museum and the academy alike, has been narrowly and uncritically limited to a history of objects, when it might be more fully understood as ... |